I found this piece that makes the points I was trying to make very clearly.

Cheers

Game A/B
Enter Paradoxical Reality

Cadell Last
Feb 3
3
2

Yesterday, Alexander Bard, Owen Cox, Raven Connolly and I entered The 
Stoa to respond to the video/dialogos around Game B, from a “Dark 
Renaissance” perspective. You can find our video here: Game B: A Dark 
Renaissance Response.

Here I would just like to reaffirm in written form some of the basic 
points I wanted to make in the video, both for clarity and in openness 
to future dialogue.

First, to set the scene, I want to offer two quotes. The first is a 
definition of Game B from Peter Limberg, and the other a definition of 
the Dark Renaissance from myself. According to Limberg, Game B 
(inclusive of its relation to Game A) is:

“Game A is the collective game that the world is playing, that will come 
to an end, if we continue to play it, we will self-terminate as a 
species, Game B is a new game, that we don’t know what it looks like, 
but their is a glimpse or a sense of what it could be.”

In contrast, the Dark Renaissance is:

“The Dark Renaissance is a broader potential artistic, philosophical and 
religious movement which seeks to reveal, affirm, confront, transform 
the more disturbing aspects of the human condition as the only way to 
organize society truthfully.”

These two definitions are not necessarily in a zero-sum competition. 
However, there are some dimensions of the narrative structure of Game B, 
which from my point of view, need serious philosophical reflection and 
reorientation, in light of the ideas of the Dark Renaissance.

The first is that — and as I would like to make clear is my main point — 
that the very logical structure of “Game A versus Game B” is itself 
problematic as a starting point. This sets up thinking for an 
ideological trap. We often set up simplistic narratives and oppositions, 
whether consciously or unconsciously, to bring thinking to an end in an 
impossibly clear and certain identity.

Whereas the definition of Game B points towards an openness and an 
uncertainty (i.e. “a new game, that we don’t know what it looks like, 
but their is a glimpse or a sense of what it could be”), it does this 
against the backdrop of a certain and known enemy (i.e. “Game A is the 
collective game the world is playing, that will come to an end, if we 
continue playing it, we will self-terminate as a species” etc.). 
Consequently, as soon as Game B attempts to represent itself to a 
popular or a broader audience, as it did in “Game B: An Initiation”, it 
falls into the trap of a utopian reification of an other identity. The A 
versus B structure is simply too simple:

Game A = bad, i.e. you are parasitized, competitive, 
far-from-equilibrium, separated, exclusive, rivalrous, dominating, lead 
to certain death

Game B = good, i.e. you are non-parasitized (wise/wisdom centers open?), 
cooperative, thriving, whole, no longer excluding or dominating or rivalrous

What if we are all parasitized from within? What if we cannot get rid of 
competition? What if our society is inherently far-from-equilibrium? 
What if separation, exclusion, rivalry, domination and death are 
features of our existence, and not bugs-in-the-Game-A-machine?

In any case, what happens very quickly with “A vs. B” thinking is that 
you fall into the basic temporality of ideology that has recurred and 
recurred in many different conceptual frameworks:

We were in a state of wholeness (oneness), and we need to return to a 
state of wholeness (oneness)

This basic temporality gains its legitimacy in the form of a simplified 
enemy-obstacle, that emerged to break the unity, and that needs to be 
banished to reclaim the unity:

Game A is the game “everyone is playing”, it is the source of all our 
troubles, and once we get rid of it, we will be in wholeness/harmony

Such a structure of A vs. B is the opposite of real thinking, and the 
opposite of what is needed to approach the very real need to (maybe) 
think “a new game, that we don’t know what it looks like, but their is a 
glimpse or a sense of what it could be”

In order to really think such a “new game” where we “don’t know” but 
“sense what it could be”, I would claim we need to learn dialectical 
thinking, and we need to learn how to apply this mode of thinking, to 
our unconscious thinking. Dialectical thinking operates on the logic of 
A=B. That is, dialectical thinking operates on the logic that embodies 
self-referential paradox. In applying dialectical thinking to 
unconscious thinking, we are willing to bring our thought in relation to 
the knowledge in ourself that we do not know, but which shapes or 
overdetermines our entire horizon of political action. In other words, 
we bring our thought to the fact that we are split from within, by a 
conscious and an unconscious knowing, and often this split reveals 
opposite desires and drives, which are in turn, often, irreconcilable 
and contradictory.

 From this point of view, we are not in the temporality of “now we are 
in Game A, but soon we will be saved in Game B”; we are instead in the 
temporality of “reality is fundamentally paradoxical and split within 
itself: A=B”. From this point of view, we need to educate the types of 
minds that are capable of embodying and working with paradox, first 
within themselves, and secondly, within the intimate networks and 
communities that they build with others. What is at stake here is 
nothing like a utopian emancipatory space free of conflict, rivalry, 
separation, and so forth; but the “potential” for a “broader artistic, 
philosophical and religious movement which seeks to reveal, affirm, 
confront, transform the more disturbing aspects of the human condition 
as the only way to organize society truthfully.”

In order to truly become an artist, or a philosopher or a religious 
subject, one must be capable of being the type of knower that can embody 
paradox, first within oneself, and second within the intimate networks 
and communities, that one builds with others. This demands the logic of 
A=B, not A vs. B. This should be applied to this very article and this 
very “Dark Renaissance critique of Game B”. We are not here saying that 
the basic motive or desire of Game B is inherently wrong. Not at all. We 
as a species really are approaching global problems that may involve 
self-terminating dimensions. However, we are saying that there needs to 
be deeper self-reflection, deeper recognition of paradox, to raise the 
possibilities that we cultivate the form of knowing to enter a new 
world. This form of knowing is a form of knowing that cannot “jump to 
the end” with the vision of a “utopian wholeness”, but rather must 
“tarry with the thing”, which is the same thing as saying it must “work 
contradiction of its present moment”. What is essential here is that 
this tarrying with and working contradiction involves the irreducibility 
of intimate social reality. The typical intellect, the type of intellect 
that sets up Game A vs. Game B dynamics, does this precisely to avoid 
the irreducibility of intimate social reality, where we find the 
irreducibility of A=B.

To this end, I want to simply echo some of the core points that my 
“partners in dialogos” emphasized throughout their critique of Game B, 
as they relate to this dimension of staying with paradox and 
contradiction of identity.

Raven Connolly started off the session by making the core point that you 
cannot eliminate conflict from life. She warns that if you do, you end 
up with a lifeless world without the conditions of possibility for art, 
without the conditions of possibility to build the type of characters 
that can really withstand the real complexity of the world, and without 
the conditions of possibility to recognize our drives and 
incompleteness. She would later go on to emphasize that this drive and 
this incompleteness lies at the very heart of our sexual identities, 
where our very root-origin travels through us, from the genitals to the 
mind. How do we really channel this energy, in its enormous power? In 
its seemingly endless capacity for transformation?

Owen Cox started off the session by making the core (Nietzschean) point 
that we are a tension between “Apollonian” and “Dionysian” drives, and 
that the Apollonian drive has a tendency to reify a perfect political 
order at the expense of the Dionysian drive. Here, in this very tension, 
one could argue the real impulses and capacities for art emerge in the 
first place (and not from wholeness). When one accepts the tension 
between the Apollonian-Dionysian drives, we end up with a much more 
paradoxical character, an A=B character, where sex, power, conflict, 
cannot be eliminated, but rather worked with, to mature our characters 
and our capacities to deal with the real complexity of the world (to 
connect this with Raven’s main point). Owen later makes the point that, 
intellectuals should take more time to think the very edge of these 
zones of tension, where tantric forms of subjectivity and organizations, 
disrupt their identities from within their inner masculine and feminine, 
and create new artistic modes of being.

Alexander Bard started off the session by framing this same tension with 
the language of the “Boy Pharaoh” and the “Pillar Saint”. The Boy 
Pharaoh is the man who loves his body, but hates his mind (from Muhammed 
to Hitler); the Pillar Saint is the man who loves his mind, but hates 
his body (from Plato to Zuckerberg). For Bard, it is the failures of 
these types of men that have led to the reaction to a cynically 
nihilistic world (“post-modernism”), which cannot really think the 
masculine, which is not capable of navigating the split between body and 
mind. For Bard, “liminal spaces” like metamodernism or integralism, are 
capable of moving from cynical nihilism to ironic nihilism, but cannot 
take the necessary next step, that is: affirmative nihilism. Affirmative 
nihilism would be the emergence of the men who can recognize within 
themselves the tendency to either become “Boy Pharaoh” or “Pillar 
Saint”, and mature it (reveal, affirm, confront, transform it). In this 
maturation they can rather admire what they lack. For the man who loves 
his body but hates the mind, he would be able to admire the genius of 
the smarter men; for the man who loves his mind but hates his body, he 
would be able to admire the talent and force of the more physical men.

For my part, it is confronting these main points from Raven, Owen and 
Bard, that force the emergence of intellects that can ultimately 
confront sexual division (first within themselves, and then in the 
society at large). As Bard warns, this is necessary to prevent the 
continued escalation of the gender wars. I think what underlies all of 
the “meta” intellectual spaces is the inability (or the simple 
unwillingness) to think the real of sexual division (for more, see: 
Sexual Division, A Problem in Ontology). As Bard also suggests, perhaps 
the real problem of our time is not global warming or atomic weapons, 
but the very rift at the heart of our social order. What we see is an 
increasing inability to navigate sexual division. Confronting sexual 
division also means confronting A=B dynamics, where we have the 
appearance of two irreducible opposites which must be thought together 
as a paradox. The literal reproduction of the species and the maturation 
of the species, lies at this very divisive locus.

We cannot eliminate men, we should cultivate a “masculinity of the 
real”; we cannot eliminate women, we should cultivate an acceptance of a 
“femininity of the real” (Raven makes this point beautifully in the 
dialogos). Note here that the language “masculinity/femininity of the 
real” is not the same as “real men” or “real women”, and points towards 
the capacity for adult sexual identities to deal with self-referential 
incompleteness and paradox. Perhaps, from this standpoint, we could 
approach “a new game, that we don’t know what it looks like, but their 
is a glimpse or a sense of what it could be”. But this standpoint is 
dark. This standpoint involves a dark renaissance. It involves a 
movement “which seeks to reveal, affirm, confront, transform the more 
disturbing aspects of the human condition as the only way to organize 
society truthfully.” What could be birthed from such a movement, is the 
emergence of real artists, philosophers and religious subjectivity.

A=B.

In a society that births real artists, philosophers and religious 
subjectivity, perhaps we could have real societies capable of tarrying 
and working with the paradoxes that we are, instead of once more 
entering the ideological combat of A vs. B.

Subscribe to Philosophy Portal
By Cadell Last  ·  Launched a month ago

Idealism and Psychoanalysis
On 20/01/2022 10:26 pm, Victor MacGill wrote:
>
> I embarrassingly recognised this after posting. I sort of threw in 
> that opening to get it noticed and the flippancy didn't really work. I 
> need to read up more about game B. As I noted that animation is the 
> only information I have on game B to date. It will obviously be more 
> nuanced than the animation, but I am left feeling very confused. Nora 
> and the others involved are people I have held in very high esteem for 
> a long time. I had an amazing evening with her in Stockholm several 
> years back I treasure as a life highlight and I am struggling to match 
> the quality of thinking I expect from those people that with what 
> seems like missing some pretty straight forward factors. I am always 
> open to seeing how the real problem is my lack of ability to grasp the 
> complexity of the situation. I would be very open to explore how I 
> might be misrepresenting or straw manning.
>
> Best regards
>
> Victor
>
> On 20/01/2022 8:53 am, Brandon Norgaard wrote:
>> *CAUTION: *This email originated from outside of JMU. Do not click 
>> links or open attachments unless you recognize the sender and know 
>> the content is safe.
>> ------------------------------------------------------------------------
>>
>> Victor, cute that you repurposed Nora’s phrase in your message 
>> there.  Did you notice she is one of the co-producers of the video?  
>> I doubt she would agree that the video is BS or colonial as hell.  I 
>> suppose there might be some merit to the rest of your critique, but I 
>> do think you’re misrepresenting and kind of straw-manning the messages.
>>
>> *From:* theory of knowledge society discussion 
>> <[log in to unmask]> *On Behalf Of *Victor MacGill
>> *Sent:* Wednesday, January 19, 2022 10:48 AM
>> *To:* [log in to unmask]
>> *Subject:* TOK An Initiation to Game~B
>>
>> *CAUTION: *This email originated from outside of JMU. Do not click 
>> links or open attachments unless you recognize the sender and know 
>> the content is safe.
>>
>> ------------------------------------------------------------------------
>>
>> HI All,
>>
>>  I finally got around to look at the video.
>>
>> It BS always was
>>
>> and its Colonial as hell.
>>
>> I haven't looked at Game B before. I think there is something about 
>> it that felt like a new label stuck on same old stuff and I put off 
>> reading about it. All I know about Game B is what was on the video., 
>> so if that misrepresents Game B then I got it wrong.
>>
>> The video buys into the old story of everything started out perfect 
>> and wonderful. Everyone co-operated and lived in harmony, then evil 
>> came - the parasite entered and turned humanity's heart to greed and 
>> hate and competition, but we can change it, get rid of the evil and 
>> live in a new co-operating utopia. This is Riane Eisler's Kurgan 
>> hordes who came and destroyed everything that had been so perfect and 
>> we can create a new partnership way.
>>
>> The parasite is in the story from the beginning. It is baked into the 
>> pie never to be separated from it again. The serpent was always in 
>> the Garden of Eden, just not activated. The honeymoon is always 
>> great, that nice time when we can pretend everything is wonderful but 
>> everything that unfolds comes from what is already present in the 
>> honeymoon.
>>
>> As a living system or an organisation is born and grows difference is 
>> low, requisite variety is low, opportunity is high. It is easy for 
>> the organism to grow, My men's group has 8 people in it. We can all 
>> sit and talk through anything that comes up. We have time to listen 
>> to everyone and come to a consensus. It all feels easy, but if there 
>> were 200 people in the group we could not do it. As difference and 
>> requisite variety grows opportunity increases, but so too does 
>> conflict - difference to be resolved. Conflict is an opportunity, but 
>> when the conflict is not resolved in positive ways, it leads to abuse 
>> and violence.
>>
>>  Exponential growth cannot continue forever, there will always be 
>> constraining factors that pull it back. Increased difference also 
>> creates increased inequality to be resolved and whatever entropy a 
>> living system cannot contain and bring to order it dumps on others - 
>> and the other in itself.
>>
>> For as long as we create a dualistic spilt good-evil, 
>> co-operate-compete, autonomy-connectivity, we perpetuate all the old 
>> myths that perpetuate the colonial dream of getting rid of evil to 
>> create utopia and its all about the evil over there rather than I 
>> have seen the enemy and he is us.
>>
>> Our capacity for violence comes from our ape ancestors. It's how they 
>> survived all those millennia. It was never not there. This is 
>> actually the core thesis of the book I put into this group a few days 
>> back. And thank you because the Game B video has clarified my 
>> understanding of my thesis so I can now rewrite it to be much stronger.
>>
>> These ideas are nothing new. Nietzsche, Jung, Thich Nhat Hanh, the 
>> Buddha, the list goes on an on of people who have realised the 
>> potential for evil and violence is in everyone of us. We all have the 
>> capacity on a bad day of being evil, vicious bastards. We have to 
>> embrace the shadow, learn to live with all the drives and urges 
>> within rather than trying to separate them off and get rid of them.
>>
>> That requires a brutal honesty that is extremely uncomfortable. It is 
>> so much easier to say "I am right, you are wrong. You are the 
>> problem". Of course I am as bad as anyone. My work is in family 
>> violence, so I see it everyday and I see it in myself everyday.
>>
>> We need better stories.
>>
>> Regards
>>
>> Victor
>>
>> On 19/01/2022 10:04 am, Alexis Kenny wrote:
>>
>>     *CAUTION: *This email originated from outside of JMU. Do not
>>     click links or open attachments unless you recognize the sender
>>     and know the content is safe.
>>
>>     ------------------------------------------------------------------------
>>
>>     All,
>>
>>     Gregg, I was definitely holding the ToK System in mind while
>>     watching this video (noting the places where ToK delineations and
>>     specifications would be helpful and necessary).
>>
>>     SW, I think you're spot on in naming the issues of interest /
>>     accessibility / broad engagement that can be a part of Gregg's
>>     work. To his credit (as you note), he's super open to generating
>>     content beyond the abstract and is definitely moving more towards
>>     day-to-day applicability in his more recent projects. I would be
>>     REALLY interested to hear your thoughts on this as an artist, as
>>     well as the opinions of other artists and musicians out there
>>     (Ken and Greg and more). So...don't crawl back into your cave
>>     just yet!
>>
>>     Warmly,
>>
>>     Ali
>>
>>     El mar, 18 ene 2022 a la(s) 13:56, Metamodern Magick
>>     ([log in to unmask]) escribió:
>>
>>         *CAUTION: *This email originated from outside of JMU. Do not
>>         click links or open attachments unless you recognize the
>>         sender and know the content is safe.
>>
>>         ------------------------------------------------------------------------
>>
>>         I just watched this. It's fantastic.
>>
>>         My initial thoughts, of course, are centered around the power
>>         of mythology/gamification/symbolism to convey a message. My
>>         sense is we are going to need more stuff like this if
>>         "liminal" culture is to go from a relatively niche community
>>         on the internet to a full-blown cultural revolution. I have
>>         plenty of ideas on how to do this as a (theory and ritual)
>>         artist, but the trickiest thing, I suppose, is reforming the
>>         academic and mental health paradigms to incorporate this.
>>
>>         Or maybe it isn't so tricky after all. Gregg's system does a
>>         wonderful job of utilising mythos as a way of demonstrating
>>         the relationship between different elements in his system.
>>         I'm curious on best practices for incorporating that mythos
>>         into less intellectually-inclined spaces. Art seems to be the
>>         way to go, but in terms of specifics...hmmm.
>>
>>         Anyway.
>>
>>         Also, this is my first time replying to a TOK Society email!
>>         Hello everyone! I'll be crawling back into my cave now.
>>
>>         sw
>>
>>         On Tue, Jan 18, 2022 at 3:45 PM Henriques, Gregg - henriqgx
>>         <[log in to unmask]> wrote:
>>
>>             I really enjoyed this production.
>>
>>             And, folks, UTOK does have a place in this. We need some
>>             new kinds of knowledge-psycho technologies to get us from
>>             Game A to Game ~B, and there is much gold to be mined
>>             from UTOK to frame this.
>>
>>
>>             Best,
>>             Gregg
>>
>>             *From:* theory of knowledge society discussion
>>             <[log in to unmask]> *On Behalf Of *Chance
>>             McDermott
>>             *Sent:* Tuesday, January 18, 2022 3:14 PM
>>             *To:* [log in to unmask]
>>             *Subject:* Re: TOK An Initiation to Game~B
>>
>>             *CAUTION: *This email originated from outside of JMU. Do
>>             not click links or open attachments unless you recognize
>>             the sender and know the content is safe.
>>
>>             ------------------------------------------------------------------------
>>
>>             Christian,
>>
>>             Loving this art style that captures the imagination and
>>             inspiration of indie games.
>>
>>             On Tue, Jan 18, 2022 at 11:32 AM Alexis Kenny
>>             <[log in to unmask]> wrote:
>>
>>                 *CAUTION: *This email originated from outside of JMU.
>>                 Do not click links or open attachments unless you
>>                 recognize the sender and know the content is safe.
>>
>>                 ------------------------------------------------------------------------
>>
>>                 Christian,
>>
>>                 This was pretty rad! Love the animation, accessible
>>                 theory/language, and length!
>>
>>                 As always, I'm always looking for more
>>                 tangible/concrete directives...maybe the other videos
>>                 will provide that kind of information?
>>
>>                 Warmly,
>>
>>                 Ali
>>
>>                 El mar, 18 ene 2022 a la(s) 00:40, Christian Gross
>>                 ([log in to unmask]) escribió:
>>
>>                     *CAUTION: *This email originated from outside of
>>                     JMU. Do not click links or open attachments
>>                     unless you recognize the sender and know the
>>                     content is safe.
>>
>>                     ------------------------------------------------------------------------
>>
>>                     https://urldefense.proofpoint.com/v2/url?u=https-3A__www.youtube.com_watch-3Fv-3DE-5FcyCuCKQhs&d=DwIDaQ&c=eLbWYnpnzycBCgmb7vCI4uqNEB9RSjOdn_5nBEmmeq0&r=HPo1IXYDhKClogP-UOpybo6Cfxxz-jIYBgjO2gOz4-A&m=p2t3PoL-ULrigzNr-uPfOJL33sepqQ5BBKIVB3OW1Es&s=dsuAPEt46ps8HaZxkIlRnwtFK3rWF1qSRFDUksWmIqg&e= 
>>                     <https://urldefense.proofpoint.com/v2/url?u=https-3A__www.youtube.com_watch-3Fv-3DE-5FcyCuCKQhs&d=DwMBaQ&c=eLbWYnpnzycBCgmb7vCI4uqNEB9RSjOdn_5nBEmmeq0&r=HPo1IXYDhKClogP-UOpybo6Cfxxz-jIYBgjO2gOz4-A&m=wvCKAnnsGvs_qvwXuTSK-wedXj7ksfVElwI4XrYtwhg&s=9YSp0gkfn1QIxq6deTsiZRWKS_As0XW09JU6GFtmETI&e=>
>>
>>                     ############################
>>
>>                     To unsubscribe from the TOK-SOCIETY-L list: write
>>                     to:
>>                     mailto:[log in to unmask]
>>                     <mailto:mailto:[log in to unmask]>
>>                     or click the following link:
>>                     http://listserv.jmu.edu/cgi-bin/wa?SUBED1=TOK-SOCIETY-L&A=1
>>                     <http://listserv.jmu.edu/cgi-bin/wa?SUBED1=TOK-SOCIETY-L&A=1>
>>
>>
>>
>>                 -- 
>>
>>                 *Alexis (Ali) Kenny*, PsyD, LP
>>
>>                 Staff Psychologist
>>
>>                 /LeaderWise
>>                 <https://urldefense.proofpoint.com/v2/url?u=https-3A__www.leaderwise.org_ali-2Dkenny&d=DwMFaQ&c=eLbWYnpnzycBCgmb7vCI4uqNEB9RSjOdn_5nBEmmeq0&r=HPo1IXYDhKClogP-UOpybo6Cfxxz-jIYBgjO2gOz4-A&m=T6leLjh404GFDW26sJctaKyV7XMqBxDCiKEIEFbCu3A&s=p0fdmurvDswpm6U6SHvJxqNRl2v62dCbJIX0SbHm1_Q&e=>/
>>
>>                 email: [log in to unmask]
>>
>>                 phone:406.540.3411
>>
>>                 site: alexisckenny.wix.com/marriedinmission
>>                 <https://urldefense.proofpoint.com/v2/url?u=http-3A__alexisckenny.wix.com_marriedinmission&d=DwMFaQ&c=eLbWYnpnzycBCgmb7vCI4uqNEB9RSjOdn_5nBEmmeq0&r=HPo1IXYDhKClogP-UOpybo6Cfxxz-jIYBgjO2gOz4-A&m=T6leLjh404GFDW26sJctaKyV7XMqBxDCiKEIEFbCu3A&s=8RERK69KS2l3qYqT-UDbgv0Ww8xjRrIa9h-QblFd0Jo&e=>
>>
>>                 ############################
>>
>>                 To unsubscribe from the TOK-SOCIETY-L list: write to:
>>                 mailto:[log in to unmask]
>>                 <mailto:mailto:[log in to unmask]>
>>                 or click the following link:
>>                 http://listserv.jmu.edu/cgi-bin/wa?SUBED1=TOK-SOCIETY-L&A=1
>>                 <http://listserv.jmu.edu/cgi-bin/wa?SUBED1=TOK-SOCIETY-L&A=1>
>>
>>
>>             ############################
>>
>>             To unsubscribe from the TOK-SOCIETY-L list: write to:
>>             mailto:[log in to unmask]
>>             <mailto:mailto:[log in to unmask]>
>>             or click the following link:
>>             http://listserv.jmu.edu/cgi-bin/wa?SUBED1=TOK-SOCIETY-L&A=1
>>             <http://listserv.jmu.edu/cgi-bin/wa?SUBED1=TOK-SOCIETY-L&A=1>
>>
>>
>>             ############################
>>
>>             To unsubscribe from the TOK-SOCIETY-L list: write to:
>>             mailto:[log in to unmask]
>>             <mailto:mailto:[log in to unmask]>
>>             or click the following link:
>>             http://listserv.jmu.edu/cgi-bin/wa?SUBED1=TOK-SOCIETY-L&A=1
>>             <http://listserv.jmu.edu/cgi-bin/wa?SUBED1=TOK-SOCIETY-L&A=1>
>>
>>
>>         ############################
>>
>>         To unsubscribe from the TOK-SOCIETY-L list: write to:
>>         mailto:[log in to unmask]
>>         <mailto:mailto:[log in to unmask]>
>>         or click the following link:
>>         http://listserv.jmu.edu/cgi-bin/wa?SUBED1=TOK-SOCIETY-L&A=1
>>         <http://listserv.jmu.edu/cgi-bin/wa?SUBED1=TOK-SOCIETY-L&A=1>
>>
>>
>>     -- 
>>
>>     *Alexis (Ali) Kenny*, PsyD, LP
>>
>>     Staff Psychologist
>>
>>     /LeaderWise
>>     <https://urldefense.proofpoint.com/v2/url?u=https-3A__www.leaderwise.org_ali-2Dkenny&d=DwMFaQ&c=eLbWYnpnzycBCgmb7vCI4uqNEB9RSjOdn_5nBEmmeq0&r=HPo1IXYDhKClogP-UOpybo6Cfxxz-jIYBgjO2gOz4-A&m=8s9v_CUDr9vHKGm4wgW7q8RV0fnITogklKeS9IHzdFk&s=KlaX7WdGW84vRKmIIOvHd7V_hU3sT_2UfEc39r2E-Vw&e=>/
>>
>>     email: [log in to unmask]
>>
>>     phone:406.540.3411
>>
>>     site: alexisckenny.wix.com/marriedinmission
>>     <https://urldefense.proofpoint.com/v2/url?u=http-3A__alexisckenny.wix.com_marriedinmission&d=DwMFaQ&c=eLbWYnpnzycBCgmb7vCI4uqNEB9RSjOdn_5nBEmmeq0&r=HPo1IXYDhKClogP-UOpybo6Cfxxz-jIYBgjO2gOz4-A&m=8s9v_CUDr9vHKGm4wgW7q8RV0fnITogklKeS9IHzdFk&s=b03qfyv9P-iHtgYJXOOYXOE4RkYIgvxhXxVN2RRoni0&e=>
>>
>>     ############################
>>
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>>     <http://listserv.jmu.edu/cgi-bin/wa?SUBED1=TOK-SOCIETY-L&A=1>
>>
>> -- 
>> Victor MacGill PhD
>> https://urldefense.proofpoint.com/v2/url?u=http-3A__www.victormacgill.com&d=DwIDaQ&c=eLbWYnpnzycBCgmb7vCI4uqNEB9RSjOdn_5nBEmmeq0&r=HPo1IXYDhKClogP-UOpybo6Cfxxz-jIYBgjO2gOz4-A&m=p2t3PoL-ULrigzNr-uPfOJL33sepqQ5BBKIVB3OW1Es&s=cv-UI-CqJ0b94sUkrR_SuV2JqzkAFo1EMvZwGI3i3d0&e=   <https://urldefense.proofpoint.com/v2/url?u=http-3A__www.victormacgill.com&d=DwMDaQ&c=eLbWYnpnzycBCgmb7vCI4uqNEB9RSjOdn_5nBEmmeq0&r=HPo1IXYDhKClogP-UOpybo6Cfxxz-jIYBgjO2gOz4-A&m=vhXYWZW4yTDoXWye3M5dsotelqnu76xR1bNP6q3cxUY&s=QwUGmgufZ3BU-QXOSk53j5rcCqodnU4Kc6Mvu-UaCto&e=>
>> Author of When the Dragon Stirs: Healing our Wounded lives through Fairy Stories, Myths and Legends
>> and Gonna Lay Down my Sword and Shield: A complexity perspective on human evolution from a Violent Past to a Compassionate Future
>>
>> ############################
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> -- 
> Victor MacGill PhD
> https://urldefense.proofpoint.com/v2/url?u=http-3A__www.victormacgill.com&d=DwIDaQ&c=eLbWYnpnzycBCgmb7vCI4uqNEB9RSjOdn_5nBEmmeq0&r=HPo1IXYDhKClogP-UOpybo6Cfxxz-jIYBgjO2gOz4-A&m=p2t3PoL-ULrigzNr-uPfOJL33sepqQ5BBKIVB3OW1Es&s=cv-UI-CqJ0b94sUkrR_SuV2JqzkAFo1EMvZwGI3i3d0&e= 
> Author of When the Dragon Stirs: Healing our Wounded lives through Fairy Stories, Myths and Legends
> and Gonna Lay Down my Sword and Shield: A complexity perspective on human evolution from a Violent Past to a Compassionate Future

-- 
Victor MacGill PhD
https://urldefense.proofpoint.com/v2/url?u=http-3A__www.victormacgill.com&d=DwIDaQ&c=eLbWYnpnzycBCgmb7vCI4uqNEB9RSjOdn_5nBEmmeq0&r=HPo1IXYDhKClogP-UOpybo6Cfxxz-jIYBgjO2gOz4-A&m=p2t3PoL-ULrigzNr-uPfOJL33sepqQ5BBKIVB3OW1Es&s=cv-UI-CqJ0b94sUkrR_SuV2JqzkAFo1EMvZwGI3i3d0&e= 
Author of When the Dragon Stirs: Healing our Wounded lives through Fairy Stories, Myths and Legends
and Gonna Lay Down my Sword and Shield: A complexity perspective on human evolution from a Violent Past to a Compassionate Future

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